Each company makes corresponding batter and resonant versions of its bass drum models, so these are easily matched. Snare and bass drum resonant heads are specially designed for these roles. The general rule on the relationship between top and bottom heads on a given drum (or front and batter heads for bass drums) is to use thicker models on the batter side and thinner (usually clear) models for the resonant side. Concert toms can be outfitted with a variety of general-use heads, though single-ply coated or clear models are used most commonly.
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It’s perfectly rational for a band director or drum-line instructor who’s not sure what he or she needs to choose a manufacturer and get its full line of marching snare, multi-tenor, and bass drum heads. Each major head manufacturer offers timpani, concert bass drum, and marching-percussion heads. If you’re looking for heads for non-drumset instruments, like timpani, concert toms and bass drums, or marching drums, there is a host of options designed specifically for them, though some general models are also usable. Heavy hitters will find more durability in 2-ply models, and quieter players tend to appreciate the added dynamic sensitivity of 1-ply heads. Introduced over the past twenty years, pre-muffled heads designed specifically for drumset use have taken some of the individuality out of bass drum sounds, but they’re an easy go-to.įor toms, there are tons of choices, but generally rock and funk players like the punch and attack of clear batter heads, while jazz, folk, world, and some rock drummers prefer the warmth and fatness of coated batters. These heads feature additional or partial plies to help dampen some of the overtones that can prove challenging to control with snare drums.īass drum head choices are somewhat limited to models in common sizes. There are many innovative heads designed for snare drums, including pre-muffled ones. Most drummers use single-ply coated batter heads, though some prefer double-ply models.
Coated heads provide the textured surface necessary for brush playing and help to temper some of the wild overtones that snare drums can produce. Most drummers use coated batter (playing-side) heads on snare drums, for a few reasons. Let’s first examine a few generalities of head selection for snare drums. If you’re not sure where to start, make a list of your favorite drummers, and look up what heads they use.
There’s a certain amount of experimentation that drummers need to do in order to find “their” sound. Loads of heads are available these days, but there are some general axioms that can assist in helping you choose the best models for your musical purposes. Let’s address some of the elements of drum tuning that you need to know. It’s an inexpensive, mobile tonal instrument.” If money is an issue, pick up a melodica. A good first step, he says, is to “Get your ears together and practice tonality.
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How do I tune these things, anyway? You’ve probably said something like that to yourself at some point over the years. Never fear-we’ve got some tuning tips to make your life a bit easier. For this piece we consulted renowned drum tuning guru and Modern Drummer Pro Panelist Bob Gatzen for some gems on the subject. My snare just doesn’t have the “crack” I want, and my toms don’t sound like they do on the radio. This article originally ran in the Jan/Feb 2013 issue of Drum Business.
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